Posts Tagged ‘off’

Don Giannatti Lighting Essentials Workshop Review

 Lighting Essentials Workshop Review 

I attended Don Giannatti’s Lighting Essentials San Francisco Workshop on August 23 & 24th, 2008 and I thought it was pretty good. For $299, we got a two day workshop that included a brief overview of studio lighting, extensive strobe lighting overviews, and a chance to shoot with a good amount of different models at different locations. This was not my first workshop nor do I consider myself a beginner photographer. I would say I am a intermediate photographer since I can comprehend most of the photography concepts. I have gone to several model mixers, and had several of my own model shoots where I do my own lighting so it was not my first time working with models. There was also a makeup artist for the first day which can always help make the models look even better.

I enjoyed the workshop and it was good for all levels from beginner to intermediate photographers because there is always something new to learn in photography. The workshop was intended to be strictly a lighting workshop that focused on lighting and that was exactly the reason why I took the class. Don Giannatti is a professional photographer who has over 40 years of experience and has some good expertise on shooting specifically with strobes. Using strobes or external flashes along with reflectors can be great because it does not require you to bring around big studio lights and battery packs.

 Lighting Essentials Workshop Review

Day one of the workshop started at the Holiday Inn in South San Francisco as Don went over a little bit about lighting and his background. The class had about 20 students,  which was 5 over his normal workshops but due to a computer issue, he was not able to close the attendance signup. This wasn’t a huge issue except for the one or two photographer who always goes off with a model and shoots instead of listening and letting the teacher drive the class which was quite annoying. Photographers were asked to bring their own studio lights for the first day and we had some pretty good lighting setups. We spent some time doing some studio light testing at 4-5 different stations using softboxes, umbrellas, and reflectors. This helped us see the differences between the types of lighting as well as the placement of the lighting and reflectors. The studio lighting was all setup with Pocket Wizards and half the photographers had their own while the other half had to ask people who were willing to let others borrow them without hesitation.

 Lighting Essentials Workshop Review

After lunch, we went outside the hotel for some outdoor shooting in the hotel parking lot area using strobes and wireless triggers. For the studio setups, we had used mainly Pocket Wizards, but outside, the other half of the class used Cactus V2 triggers. This was not a huge problem but did cause some minor confusion as you had to basically be in your group using one or the other or wait and ask someone to borrow their triggers. Strobes were not an issue as everyone had at least one strobe whether it be a Nikon, Canon, or SunPak external flash. The great thing about using strobes, is that by attaching a Pocket Wizard, Cactus V2, or any other wireless system, you can basically use the flashes all together and not have any issues. At 5pm the class was suppose to end but one model stayed around and we did some more shooting in the hotel lobby area and outside as well. We took advantage of the natural lighting and Don showed us how we can use reflectors with natural lighting to light the model.

german tourists

The next day we met at Union Square in downtown San Francisco. The location is great for shooting, but not exactly the best spot for a workshop on a nice sunny Sunday. We had a lack of models on a Sunday morning not surprisingly but did manage to find some tourists to model for us. We even managed to find a girl who just arrived in the United States from Europe for school and ended up modeling for us the whole day. We used strobes and reflectors at different spots to try out the different methods of lighting the model. We then moved to a alleyway and the organization of the workshop began to fall apart. More models finally showed up and photographers started shooting with them on the side and started wandering off and shooting like crazy like they were practicing to be Paparazzi. The goal of a workshop is to let the teacher drive the class and teach the students. The models were mainly used as the tool and subject but some photographers acted like they have never seen a hot young chick so they go shooting like crazy and forget that this is a workshop. After lunch, we walked over to the Yerba Buena Gardens and broke off into groups to do some lighting exercises. That did not turn out so good because photographers basically started doing their own thing and took models with them as well to do their own thing. People started wandering all over the place and basically it was just like the survival of the fittest in trying to learn as much as you can in finding out where Don was and seeing what he was showing and teaching. My group ended up not knowing where everyone was and I ended up wandering around with two of the models trying to find the rest of the group.

 Lighting Essentials Workshop Review

Overall, I think the workshop was worthwhile. The first day was great and the second day was a little disorganized. I knew some of the lighting ideas taught in the class but Don emphasized the idea of knowing how to find out the proper exposure of the subject and how to set your strobes accordingly. I actually never used that way of lighting my models and basically just used the basic shoot and adjust method as opposed to using a light meter. It definitely can be useful to find the right exposure using a light meter and then adjusting your strobe to that exposure and firing it at the right distance. All my shots that you see here have some post processing applied to them. That was not a focus of this workshop so all of my post processing work here is from my own skills.

You can see more of my shots here.

Water Drops

February 18, 2008

water drop

I tried some water drop shots in my sink and was fairly happy with the results that I got. All I used for lighting was my 430EX mounted on camera. I tried out some different settings and had a plate on the bottom of the sink. I also did some shots with the plate mounted up so that it was higher.

 black water drop

I also played around with some of the shots in Photoshop and applied some filters to create some more colorful and interesting perspectives on the water. For the shot above, I applied a glow filter that gave it a highlight look to the black and white plate. Most of my shots were shot at an exposure of 1/250 and I was surprised that the results were as good as they were. I would have thought that I needed a faster exposure to get a sharper image of the drop. The camera settings were around ISO 100-200, aperture at f/5-5.6. For focusing, I usually have it autofocus on the area first, and then switch it to manual focus.

Full water drop Flickr set here

Cactus V2 Review

December 31, 2007

This is a review of the Cactus V2 Remote Triggers from GadgetInfinity.com.

t 16766 01 Cactus V2 Review 

If you are in the market for a wireless remote trigger for your camera, I am sure you have heard about the Pocket Wizard as the defacto tool that every professional photographer usually uses. You have probably heard of the cheap Ebay triggers as well since they cost a lot less and work almost the same. The Cactus V2 is another alternative similar to the Ebay triggers but is sold through a website called GadgetInfinity. This version resolves some of the incompatibilities that version 1 had with certain flash units. I have tried the V1 version Ebay triggers with my Canon Speedlite 430EX and it definitely does not work. The Cactus V2 works a lot better than the V1 with the Canon 430EX but it still has misfires every so often. They also tend to happen when you are setting up so it gets quite annoying. Once you start shooting, however they work a lot better. If you set up multiple lights and the lights will not get triggered 100% everytime but its not too bad.

The standard set comes with one receiver and one trigger and there are four channels that you can set them to. The trigger is mounted on the hot shoe of your camera where the external flash is usually mounted. The receiver can be be used with the external flash or any other light unit either with a PC cord or hot shoe. I have tried the receivers on a Canon 430EX, 580EX and Alien Bee lights as well and it seems to work fine. The set of one trigger and one receiver from GadgetInfinity is currently $32.95 and additional receviers cost either $16.95 or $19.95 depending on which version you get as the older V2 Receiver works fine with Canon Speedlites 580EX and 430EX but the newer version is compatible with more flash units. The V2 set comes with the newer V2 receiver. If you are shooting for money, then they might not be the best solution but for the typical hobbyist, they are a good deal. You can read more about the V2 and purchase it here.

Compatible models:

  • Canon SpeedLite 580EX II, 580EX, 550EX, 540EZ, 520EZ, 430EX, 430EZ, 420EX, 420EZ, 380EX;
  • Nikon SpeedLite SB-800, SB-600, SB-28, SB-27, SB-26, SB-25, SB-24;
  • Olympus FL-50, FL-40, FL-36;
  • Pentax AF-540 FGZ, AF-360 FGZ, AF-400 FT, AF-240 FT;
  • Sigma EF-500 DG Super, EF-430;
  • Sunpak Auto 2000DZ, 622 Pro, 433AF, 433D, 383, 355AFm 344D, 333D;
  • Vivitar 285HV (Older Vivitar 285/283 works only with PC sync);
  • Other flash models with a trigger voltage of 12V or lower;
  • Does not work with V1 receivers or 16-channel trigger receivers